Four Corners (Canvas or Aluminum)
As a photographer, I often spend most of my time working on composition. Here, at Las Cuatros Esquinas (The Four Corners) in Tuscan, Arizona, USA, I set up the image to be framed between symmetrical lines formed not just by the building's corners, but also by the intersecting utility lines that criss-cross overhead. I then focused on getting a fast enough shutter speed to capture the like-for-like symmetry of the shadows of the utility lines cast on the tarmac below as hard shadows. This scene was two parts skill and one part luck, but this felt to me like I had painted with a camera lens.
Shot on Harmon Phoenix 200 35mm film.
This is now yours to own as a either a boxed canvas (marked as C) or an Aluminum panel (marked as A)
As a photographer, I often spend most of my time working on composition. Here, at Las Cuatros Esquinas (The Four Corners) in Tuscan, Arizona, USA, I set up the image to be framed between symmetrical lines formed not just by the building's corners, but also by the intersecting utility lines that criss-cross overhead. I then focused on getting a fast enough shutter speed to capture the like-for-like symmetry of the shadows of the utility lines cast on the tarmac below as hard shadows. This scene was two parts skill and one part luck, but this felt to me like I had painted with a camera lens.
Shot on Harmon Phoenix 200 35mm film.
This is now yours to own as a either a boxed canvas (marked as C) or an Aluminum panel (marked as A)
As a photographer, I often spend most of my time working on composition. Here, at Las Cuatros Esquinas (The Four Corners) in Tuscan, Arizona, USA, I set up the image to be framed between symmetrical lines formed not just by the building's corners, but also by the intersecting utility lines that criss-cross overhead. I then focused on getting a fast enough shutter speed to capture the like-for-like symmetry of the shadows of the utility lines cast on the tarmac below as hard shadows. This scene was two parts skill and one part luck, but this felt to me like I had painted with a camera lens.
Shot on Harmon Phoenix 200 35mm film.
This is now yours to own as a either a boxed canvas (marked as C) or an Aluminum panel (marked as A)